The American Negro

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Descripción

The American Negro is an unapologetic critique, detailing the systemic and malevolent psychology that afflicts people of color.  This project dissects the chemistry behind blind racism, using music as the medium to restore dignity and self-worth to my people.  It should be evident that any examination of black music is an examination of the relationship between black and white America.  This relationship has shaped the cultural evolution of the world and its negative roots run deep into our psyche.  Featuring various special guests performing over a deeply soulful, elaborate orchestration, The American Negro reinvents the black native tongue through this album and it’s attendant short film (TAN) and 4-part podcast (invisible Blackness). The American Negro - both as a collective experience and as individual expressions - is insightful, provocative and inspiring and should land at the center of our ongoing reckoning with race, racism and the writing of the next chapter of American history.

American Negro Theatre (1940-ca. 1955) •

The American Negro Theater Performs John Millington Synge, Annotations: The NEH Preservation Project

The American Negro

The American Negro: What He Was, What He Is and What, He May Become, a Critical and Practical Discussion (Classic Reprint): Hannibal Thomas, William: 9781330377376: : Books

The American Negro Theater is Formed - African American Registry

Full Film & More: The Negro and the American Promise (1963), Exploring Hate

Scott's official history of the American Negro in the World War (1 of 2) - UWDC - UW-Madison Libraries

A Near-Forgotten Black World's Fair, Remembered

Scott's Official History of the American Negro in the World War (Classic Reprint): Scott, Emmett J.: 9781330164839: : Books

Race traits and tendencies of the American Negro : Hoffman, Frederick L. (Frederick Ludwig), 1865-1946 : Free Download, Borrow, and Streaming : Internet Archive

Letterform Archive on X: Aaron Douglas, cover for The American Negro: The Annals, 1928. As seen in Aaron Douglas: African American Modernist, edited by Susan Earle, Yale University Press in association with

The American Negro